Honey Contest at GBA

I decided to be brave and enter my honey in the honey contest on the state level at the Georgia Beekeeper's Association annual fall meeting. I learned from my Metro entries and had polished, polished, polished my jars.

I was so excited at the end of the contest to find that I had won:

First place blue ribbon for light honey
First place blue ribbon for chunk honey (comb in a jar of liquid honey)
First place blue ribbon for cut comb honey (square of comb in a box)
Second place red ribbon for my wax block

There were cash prizes so I also won a total of $110!

I also entered my amber honey which didn't place and I forgot to pick up the jars and left them in Rabun County. Even though it didn't win, it was delicious honey, so I hope someone enjoys it!

The wax block wasn't the one I poured 19 times. After the Metro contest, it had some knicks in it and needed to be re-poured. So I re-poured it several times. The last re-pour before I was scheduled to leave for Rabun County cracked as it cooled.

I took all of my wax stuff with me to my mountain house and actually poured the block again on Thursday night before it was due at 9 AM on Friday! The last pour (that won second) wasn't perfect. It had stuck some to the bottom of the mold so the top was marred.

While at GBA, I went to a talk by Robert Brewer, the judge of the honey show and the certified Welsh Honey judge who teaches honey judging at Young Harris (and co-founded the Young Harris Institute). He discussed the wax block and I learned (in addition to what I had learned from Keith Fielder) that the edges of the wax block at the top of the pour need to be smooth. Robert suggested taking your thumb and rubbing the edge to smooth it out. Mine had edges that needed this. He also talked about how important it is to use well filtered wax - perhaps pouring it through silk. I'll be interested to try silk as a filter next year.

The other thing I was surprised by is that Virginia Webb, a beekeeper extraordinaire, won first place for the wax block. Her block was poured into a mold with raised designs. It was a solid block but had raised designs all over it. I had no idea and thought you had to have a solid, smooth block which is what I have been trying for - so here's something for me to learn more about for the future. I took a class from Virginia at the Folk School three years ago and learned so much from her.